Monday, January 6, 2020
Structure and Narrative Technique in Wurthering Heights...
Thomas Hardy employs an `omniscient narrator in his rural novel `Return of the Native, as he attempts to mimic classical tragedy by uniting the essential elements of time, place and action. The fact that the novel was originally intended to be of a five book structure, with monthly instalments, ending with a final, devastating climax, coupled with the numerous classical references to Hades. Hercules and Prometheus, shows even further Hardys desire to create an immensely tragic novel, void of a desire to please societies middle-class novel reading public. Although it was to be this novel which eventually underwent serious revision, `Wuthering Heights would have ultimately appeared as more baffling to Victorianâ⬠¦show more contentâ⬠¦One insistent feature of his language in the initial chapters, is the frequent use of guesswork; I suppose, perhaps and I conjectured. The effect of this style is to focus our attention on the narration itself, as Lockwood struggles to translate his impressions for us. Bront#235;s use of repeated guesswork and hesitancy allows us to remember that the novel is being relayed to us by a struggling, foreign observer. Due to this uncertainty, only a small portion of the story filters through to the reader, and we may expect that the effect of the narrative is rather economical. `Nicolas Marsh however argues differently in his essay `Analysing Wuthering Heights, as he claims that this lack of information paradoxically has the opposite effect, and that it creates an unlimited, obscured environment for the story itself to be encompassed within. Nellys language, on the other hand, can be vividly descriptive, as when she describes Cathy on the moors musing over a bit of moss, or a tuft of branched grass, or a fungus spreading its bright orange among the heaps of brown foliage. Sometimes her language is not unlike Lockwoods, as she claims Heathcliffs naturally reserved disposition was exaggerated into an almost idiotic excess of unsociable moroseness. However, once again the narrators character interferes
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